In case you missed it, my short personal story of love and marriage, called Smelly Make This Bed, makes an appearance today at The Manifest-Station, a beautiful online journal “On Being Human.” This Valentine’s Day, let it remind us that whatever challenges we face in our lives, somehow, somewhere, some way: love survives. Happy Valentine’s Day to you!
In this month’s edition of Long Story Short, I take a personal look at a sacred yet strange space, the marriage bed: “…when you spend years sleeping with one person everything that happens in bed is too much information.” Please check out Smelly Make This Bed (if you haven’t yet). Thank you as always, my friends, for supporting the power of words.
I’ve been feeling the loneliness that comes with the realization that not only do others not see the world the same way as I, but that nobody sees it the same way at all. Not a one. Not even the people who vote the same. Not even the people who like the same movies, books, and dances. Not the dearest of friends.
How do fiction authors create believable bad guys? I find I must explore the existence of my own inner villain. Today at The Blood-Red Pencil, I explore this confronting approach to writing antagonists, with a post called I’m The Bad Guy?
This entire week, my husband and I have been awaiting word on our mortgage loan documents, hoping our lender draws them up soon so we can close on a new house. On Monday, nobody was answering our calls and we grew anxious. For the past three days we’ve heard promise after promise followed by delay after delay. For some reason, it all makes me think of Syria’s refugees, whose situation is of course a million times direr than ours. I can’t help but seek metaphors, because that’s what my mind does when I try to make sense of things that don’t make sense. So I imagine Syrians desperate for a new home, anxious they made a mistake by leaving the old one, and at the moment they most want help, unable to get it.
Today you can find me at the Lighthouse Writers Top-Secret Blog, where I share why eight-year-old Ruby kept crying in my recent writing class, and what made her stop. It has to do with Fun and Games and why they are important to creativity—and to humanity.